User:SteveBorg/Table of Contents

          Ph.D. Table of Contents

Certificate of Authorship Acknowledgments Acronyms Abstract

Chapter 1 Introduction

1.1 Background, object and significance of the study

1.2 Legislative obligations on intangible heritage

1.3 Brief analysis of topic of research

1.4 Approach to the historical study

2. Literature Review

KNOWLEDGE AND COMPREHENSION OF Literature Review, Simple Comparision, Discuss

      i) international obligations re-intangible heritage

    iia) Recuperation reference to historiographies of Alan Lomax, Cecil Sharp, Tulla Magrini,  Felix Quilici etc. Recovery or recuperation. Discuss.  

(ensuring longevity of Maltese folk music - what Lomax did and what is being done today to his collection in U.S.)

(Armenian Institute, memory studies Iceland, Lund Centre of Archives. M3P, organization support FNAM, )

    iib) Guze Cassar Pullicino, Gorg Mifsud Chircop, Anna Borg Cardona, Charles Camilleri, Steve Borg(why is my study important; recuperation - identified lacunae, no guardian of previous works or continuity, no preservation policy and no effective dissemination).
    

    iii) Preservation British Archives, Library of Congress

preservation vrs/or/and archiving

     iv) Dissemination - Radio Aragones, Social networks

dissemination pre-media, dissemination in new media technologies, see echo chamber defination in new media)

4. Methodology

ANALYSIS -x'se taghmel u kif se taghmilha,

MINN DAK LI RAJNA, JEKK MA JSIRUX L-ATTIVITAJIET HEKK, SE JFALLU. X'se taghmel

5. Recuperation

      i) field works experiences of Alan Lomax, Edward Jones, Cecil Sharp, Tulla Magrini, Felix   
         Quilici, Klemenc etc. 

     ii) Rebunking the myth that all is lost in the field: the Maltese perspective

    iii) the zaqq recordings, vinyl folk releases, ghana reels (on meeting Malta's Lomax)    

     iv) collecting unknown/released existing material currently dispersed
         vinyl, reels, cassettes e.g. Toscana folk, ROAS, Bosnia.

6. Preservation

       i) recommendations by IASA, FIAF and UNESCO

      ii) resources and funding

    iiia) case references re codes of pratice: ITMA, Singapore, Slovenia, Caribbean states,   
          National Australian Sound Archives surveys/reports

    iiib) Maltese national entities culture policies 

          analysis and critique of 

     iva) National Memory Project NAM 

     ivb) Malta Music Memory Project M3P (as open resource databank and archive)

7. Dissemination

      ia) European Union’s Digital Agenda 2020
      ib) Europeana Project 
    
          Radio Aragones (promoter of Aragonese folk)

      iia) User-generated content - the Newland-Pratt report

     iiia) i  Audience engagement - The Wallace report
           ii Use of social networks - myspace, twitter and facebook 

     iiib) i   contemporary folk event promotion in Malta through social network - 
           ii  the KV outreach experiment for April 2012 musico-literary event
           iii findings of select focus group scheduled Summer 2012
         
      iva) Malta Music Memory Project M3P (as broadcaster)

8. Conclusion

9. Bibliography

Seperate Reading Lists in three sections on:

Recovery, Preservation, Dissemination

Each list has to have related keywords.