Difference between revisions of "User:SteveBorg/Table of Contents"
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i) international obligations re-intangible heritage | i) international obligations re-intangible heritage | ||
iia) ''Recuperation'' reference to | iia) ''Recuperation'' reference to historiographies of Alan Lomax, Cecil Sharp, Tulla Magrini, Felix Quilici etc. (ensuring longevity of Maltese folk music - what Lomax did and what is being done today to his collection) | ||
iib) Guze Cassar Pullicino, | iib) Guze Cassar Pullicino, Gorg Mifsud Chircop, Anna Borg Cardona, Charles Camilleri, Steve Borg(why is my study important; recuperation - identified lacunae, no guardian of previous works or continuity, no preservation policy and no effective dissemination). | ||
Revision as of 04:58, 24 April 2012
Ph.D. Table of Contents
1. Brief analysis on topic of research
2. Introduction
3. Methodology
4. Literature Review
i) international obligations re-intangible heritage
iia) Recuperation reference to historiographies of Alan Lomax, Cecil Sharp, Tulla Magrini, Felix Quilici etc. (ensuring longevity of Maltese folk music - what Lomax did and what is being done today to his collection)
iib) Guze Cassar Pullicino, Gorg Mifsud Chircop, Anna Borg Cardona, Charles Camilleri, Steve Borg(why is my study important; recuperation - identified lacunae, no guardian of previous works or continuity, no preservation policy and no effective dissemination).
iii) Preservation British Archives, Library of Congress
iv) Dissemination - Radio Aragones, Social networks
5. Recuperation
i) field works experiences of Alan Lomax, Edward Jones, Cecil Sharp, Tulla Magrini, Felix Quilici, Klemenc etc.
ii) Rebunking the myth that all is lost in the field: the Maltese perspective
iii) the zaqq recordings, vinyl folk releases, ghana reels (on meeting Malta's Lomax)
iv) collecting unknown/released existing material currently dispersed vinyl, reels, cassettes e.g. Toscana folk, ROAS, Bosnia.
6. Preservation
i) recommendations by IASA, FIAF and UNESCO
ii) resources and funding
iiia) case references re codes of pratice: ITMA, Singapore, Slovenia, Caribbean states, National Australian Sound Archives surveys/reports
iiib) Maltese national entities culture policies
analysis and critique of
iva) National Memory Project NAM
ivb) Malta Music Memory Project M3P (as open resource databank and archive)
7. Dissemination
ia) European Union’s Digital Agenda 2020 ib) Europeana Project Radio Aragones (promoter of Aragonese folk)
iia) User-generated content - the Newland-Pratt report
iiia) i Audience engagement - The Wallace report ii Use of social networks - myspace, twitter and facebook
iiib) i contemporary folk event promotion in Malta through social network - ii the KV outreach experiment for April 2012 musico-literary event iii findings of select focus group scheduled Summer 2012 iva) Malta Music Memory Project M3P (as broadcaster)
8. Conclusion
9. Bibliography