Difference between revisions of "User:Tonygrimaud/Table of Contents"

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==Introduction==
[[:User:Tonygrimaud/Introduction|Introduction]]
[[:User:Tonygrimaud/Introduction|Introduction]]


===A Personal Background===
Table of Contents
===Background to the research===
===The Character of Maltese Music===
===The Purpose of this research Study===
===The need for a Music Archive===
===Online Collaborative Cultural projects===
====Wikipedia====
====Birmingham Popular Music Archive====
====Malta Music Memory Project (M3P)====
====Maltese Collaborative Projects on Facebook====
===An Overview of the Chapters===


===Communities of Practice===
Chapter 1:  Introduction
====Motivation====
*A Personal Interest
====Crowd Sourcing====
*Background to the Research
*The Character of Maltese Music
*The Purpose of this Research Study
*The Need for Archiving Popular Culture
*Mediated Memories
*An Overview of the Chapters


===Mediated Memories===
Chapter 2:  Collaboration
====Cultural Memories====
*Defining Collaboration
====Collecting Cultural Memories====
*Collaboration vs Cooperation
*Online Collaboration
*Tools for Collaboration
*Web 2.0
*Crowd Sourcing


==Communities of Practice==
Chapter 3:  Communities of Practice
[[:User:Tonygrimaud/Communities_of_Practice|Communities of Practice]]
*Defining Communities of Practice
*The Domain
*The Community
*The Practice
*Managing Knowledge
*Sharing Knowledge
*Online Communities of Practice


==Memory==
Chapter 4:  Motivation
[[:User:Tonygrimaud/Memory|Memory]]
*Defining Motivation
*Intrinsic vs Extrinsic Motivation
*Online Participation
*Incentives and Rewards


===Oral Histories - Endangered histories===
Chapter 5:  Online Collaborative Cultural Memory Projects
*The Malta Music Memory Project (M3P)
*The Birmingham Popular Music Archive
*Pompey Pop
*Bristol - Archiving Pop Music
*Small Collaborative Projects about Maltese Music on other Social Media Sites


==Collaboration==
Literature Review ???
[[:User:Tonygrimaud/Collaboration|Collaboration]]


Chapter 6:  Methodology


Chapter 7. Results and Discussion


Chapter 8. Conclusions - Key findings, Recommendations, Limitations of the Study, Future Research


===Motivation===
References
===Crowd Sourcing===


==Methodology==
Appendix
[[:User:Tonygrimaud/Methodology|Methodology]]
 
===Collaborative Cultural projects===
 
====Birmingham Popular Music Archive====
====Malta Music Memory Project (M3P)====
====Maltese Collaborative Projects on Facebook====
 
 
==Literature Review ??==
[[:User:Tonygrimaud/Literature_review|Literature review]]?
 
 
==References==
[[:User:Tonygrimaud/References|References]]

Revision as of 06:47, 6 December 2011

Introduction

Table of Contents

Chapter 1: Introduction

  • A Personal Interest
  • Background to the Research
  • The Character of Maltese Music
  • The Purpose of this Research Study
  • The Need for Archiving Popular Culture
  • Mediated Memories
  • An Overview of the Chapters

Chapter 2: Collaboration

  • Defining Collaboration
  • Collaboration vs Cooperation
  • Online Collaboration
  • Tools for Collaboration
  • Web 2.0
  • Crowd Sourcing

Chapter 3: Communities of Practice

  • Defining Communities of Practice
  • The Domain
  • The Community
  • The Practice
  • Managing Knowledge
  • Sharing Knowledge
  • Online Communities of Practice

Chapter 4: Motivation

  • Defining Motivation
  • Intrinsic vs Extrinsic Motivation
  • Online Participation
  • Incentives and Rewards

Chapter 5: Online Collaborative Cultural Memory Projects

  • The Malta Music Memory Project (M3P)
  • The Birmingham Popular Music Archive
  • Pompey Pop
  • Bristol - Archiving Pop Music
  • Small Collaborative Projects about Maltese Music on other Social Media Sites

Literature Review ???

Chapter 6: Methodology

Chapter 7. Results and Discussion

Chapter 8. Conclusions - Key findings, Recommendations, Limitations of the Study, Future Research

References

Appendix

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