Difference between revisions of "User:Tonygrimaud/Table of Contents"

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==Introduction==
[[:User:Tonygrimaud/Introduction|Introduction]]
[[:User:Tonygrimaud/Introduction|Introduction]]


*Background
==Table of Contents==
**A Personal Background
**The Nature of Maltese Music
**A historical Background
**The need for a Music Archive


*Collaborative Cultural projects
===Chapter 1:  Introduction (outline)===
**Birmingham Popular Music Archive
*A Personal Interest
**Malta Music Memory Project (M3P)
This may be irrelevant or of little direct relevance. Ignore it for now.
**Maltese Collaborative Projects on Facebook
**Mass Collaboration


*Communities of Practice
*The Purpose of this Research Study
**Motivation
- What is/are your research question/s?
**Crowd Sourcing


*Mediated Memories
*Background to the Research
**Cultural Memories
List the essential elements of the research in terms of background. So, what are the aspects of background you're going to focus on?
**Collecting Cultural Memories
**Oral Histories - Endangered histories


:*The Character of Maltese Music + Birmingham? + Pompey?
:*Wikimedia Foundation
:*The Need for Archiving Popular Culture
:*Mediated Memories
:*what else?


==Memory==
*An Overview of the Chapters
[[:User:Tonygrimaud/Memory|Memory]]


===Chapter 2: A Closer Look at the Elements of This Study (literature review)===
- identify the areas from chapter 1 that you'll be focusing on.


==Collaboration==
ONE AREA: Situating Collaboration (what is collaboration? what models of collaboration are there?)
[[:User:Tonygrimaud/Collaboration|Collaboration]]
*Defining Collaboration
*Collaboration vs Cooperation
*Online Collaboration
*Tools for Collaboration
*Web 2.0
*Crowd Sourcing


Communities of Practice
*Defining Communities of Practice
*The Domain
*The Community
*The Practice
*Managing Knowledge
*Sharing Knowledge
*Online Communities of Practice
*Community of interest
*Community of practice
*Social Theories
*Media Richness Theory
*From information centered to user centered
*Reciprocal influence approach
*Critical Mass Theory and public goods approach
*Social influence approach
*Normative social theory
*Multilevel Participation
*Utility Theory


==Communities of Practice==
===Chapter 3: The research approach/s taken in this study (Methodology)===
[[:User:Tonygrimaud/Communities_of_Practice|Communities of Practice]]
- how are you going to address your research question/s




==Methodology==
Chapter: MEMORY Preserving the present
[[:User:Tonygrimaud/Methodology|Methodology]]


Collaborative Cultural projects
===Chapter 4: Critical aspects of collaboration (how collaboration works/fails)===
*Defining Motivation
*Intrinsic vs Extrinsic Motivation
*Online Participation
*Incentives and Rewards
*Strategies for Enabling Collaboration (Fruitful/Productive Collaboration)


    Birmingham Popular Music Archive
===Chapter 5:  Online Collaborative Cultural Memory Projects===
    Malta Music Memory Project (M3P)
*The Malta Music Memory Project (M3P)
    Maltese Collaborative Projects on Facebook
*The Birmingham Popular Music Archive
    Mass Collaboration
*Pompey Pop
*Bristol - Archiving Pop Music
*Small Collaborative Projects about Maltese Music on other Social Media Sites


==Literature Review ??==
===Chapter 6. Results and Discussion===
[[:User:Tonygrimaud/Literature_review|Literature review]]?


===Chapter 7. Conclusions - Key findings, Recommendations, Limitations of the Study, Future Research===


==References==
===References===
[[:User:Tonygrimaud/References|References]]
 
===Appendix===

Latest revision as of 14:16, 15 January 2012

Introduction

Table of Contents

Chapter 1: Introduction (outline)

  • A Personal Interest

This may be irrelevant or of little direct relevance. Ignore it for now.

  • The Purpose of this Research Study

- What is/are your research question/s?

  • Background to the Research

List the essential elements of the research in terms of background. So, what are the aspects of background you're going to focus on?

  • The Character of Maltese Music + Birmingham? + Pompey?
  • Wikimedia Foundation
  • The Need for Archiving Popular Culture
  • Mediated Memories
  • what else?
  • An Overview of the Chapters

Chapter 2: A Closer Look at the Elements of This Study (literature review)

- identify the areas from chapter 1 that you'll be focusing on.

ONE AREA: Situating Collaboration (what is collaboration? what models of collaboration are there?)

  • Defining Collaboration
  • Collaboration vs Cooperation
  • Online Collaboration
  • Tools for Collaboration
  • Web 2.0
  • Crowd Sourcing

Communities of Practice

  • Defining Communities of Practice
  • The Domain
  • The Community
  • The Practice
  • Managing Knowledge
  • Sharing Knowledge
  • Online Communities of Practice
  • Community of interest
  • Community of practice
  • Social Theories
  • Media Richness Theory
  • From information centered to user centered
  • Reciprocal influence approach
  • Critical Mass Theory and public goods approach
  • Social influence approach
  • Normative social theory
  • Multilevel Participation
  • Utility Theory

Chapter 3: The research approach/s taken in this study (Methodology)

- how are you going to address your research question/s


Chapter: MEMORY Preserving the present

Chapter 4: Critical aspects of collaboration (how collaboration works/fails)

  • Defining Motivation
  • Intrinsic vs Extrinsic Motivation
  • Online Participation
  • Incentives and Rewards
  • Strategies for Enabling Collaboration (Fruitful/Productive Collaboration)

Chapter 5: Online Collaborative Cultural Memory Projects

  • The Malta Music Memory Project (M3P)
  • The Birmingham Popular Music Archive
  • Pompey Pop
  • Bristol - Archiving Pop Music
  • Small Collaborative Projects about Maltese Music on other Social Media Sites

Chapter 6. Results and Discussion

Chapter 7. Conclusions - Key findings, Recommendations, Limitations of the Study, Future Research

References

Appendix