Difference between revisions of "Soċjeta Filamonika Pinto - A.D. 1862 Banda San Sebastjan - (Oratorio) Sebastianus Christianus (2012)"

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(Arranged Page: Soċjeta Filamonika Pinto - A.D. 1862 Banda San Sebastjan - (Oratorio) Sebastianus Christianus (2012))
(Arranged Page: Soċjeta Filamonika Pinto - A.D. 1862 Banda San Sebastjan - (Oratorio) Sebastianus Christianus (2012))
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The oratorio delves deep into the epic and tragic motifs of the soldier saint’s life by means of a beautifully conceived dialectic. Throughout his composition, Sciberras alternates between classical and contemporary motifs, thus evoking both the ancient and the present relevance of the martyr’s enduring cult. The composition, in fact, is structured around movements composed for the traditional operistic roles of tenor [[Charles Vincenti]] soprano [[Rosabelle Bianchi]] and [[Mirabitur Choir]]  directed by [[Simone Attard]] that converse, throughout the oratorio, with the contemporary vocalisations of singers [[Pamela Bezzina]] and [[Corazon Mizzi]].

Revision as of 17:21, 27 March 2020

Oratorio - Mill-Banda Soċjeta Filarmonika Pinto A.D. 1862 - Sebastianus Christianus (2012)
CD.1
No Oratorio Composer Productions Recording Studio Recording Studios Recording Engineer Year
Prologu Mro. Raymond Sciberras Sebastian Saliba Soċjeta Filarmonika Pinto Banda San Sebastjan V & F Recording Studio Vanni Farrugia 2012
i. Il-Wegħda Mro. Raymond Sciberras Sebastian Saliba Soċjeta Filarmonika Pinto Banda San Sebastjan V & F Recording Studio Vanni Farrugia 2012
ii. Fejqan Mro. Raymond Sciberras Sebastian Saliba Soċjeta Filarmonika Pinto Banda San Sebastjan V & F Recording Studio Vanni Farrugia 2012
CD. 2
iii L-Aqwa Gwardja Mro. Raymond Sciberras Sebastian Saliba Soċjeta Filarmonika Pinto Banda San Sebastjan V & F Recording Studio Vanni Farrugia 2012
iv Dal-Martirju Mro. Raymond Sciberras Sebastian Saliba Soċjeta Filarmonika Pinto Banda San Sebastjan V & F Recording Studio Vanni Farrugia 2012
Epilogu Mro. Raymond Sciberras Sebastian Saliba Soċjeta Filarmonika Pinto Banda San Sebastjan V & F Recording Studio Vanni Farrugia 2012

The oratorio delves deep into the epic and tragic motifs of the soldier saint’s life by means of a beautifully conceived dialectic. Throughout his composition, Sciberras alternates between classical and contemporary motifs, thus evoking both the ancient and the present relevance of the martyr’s enduring cult. The composition, in fact, is structured around movements composed for the traditional operistic roles of tenor Charles Vincenti soprano Rosabelle Bianchi and Mirabitur Choir directed by Simone Attard that converse, throughout the oratorio, with the contemporary vocalisations of singers Pamela Bezzina and Corazon Mizzi.