Difference between revisions of "Margerita Pule"
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== Conferences, Exhibitions and Works == | == Conferences, Exhibitions and Works == | ||
April 2019 | '''April 2019''' | ||
Group Exhibition: Creative Circuit Ep. 2, Valletta | Group Exhibition: Creative Circuit Ep. 2, Valletta | ||
March 2019 | '''March 2019''' | ||
Group Exhibition: Land Politics, Valletta Contemporary, Valletta | Group Exhibition: Land Politics, Valletta Contemporary, Valletta | ||
2 December 2018 | '''2 December 2018''' | ||
Intervention: What Could Be, Isouard Street, Sliema | Intervention: What Could Be, Isouard Street, Sliema | ||
'''2018-''' | |||
Editor: ArtPaper. Malta’s contemporary art and art sales publication. | Editor: ArtPaper. Malta’s contemporary art and art sales publication. | ||
16 – 25 November 2018 | |||
'''16 – 25 November 2018''' | |||
Exhibition: The Cement Bakery, within the Mahalla Festival | Exhibition: The Cement Bakery, within the Mahalla Festival | ||
7 – 9 November 2018 | '''7 – 9 November 2018''' | ||
Conference: 12th UNEeCC Conference, Culture: Inherited or Invented? organised by the University Network of European Capitals of Culture in November 2018, with paper entitled “Europe as a Participatory Art Project”. | Conference: 12th UNEeCC Conference, Culture: Inherited or Invented? organised by the University Network of European Capitals of Culture in November 2018, with paper entitled “Europe as a Participatory Art Project”. | ||
1 – 2 November 2018 | '''1 – 2 November 2018''' | ||
Conference: Reconfiguring the Aesthetic, organised by the Dept of Philosophy, University of Malta, with a paper entitled “Nothing to See Here; Protest Under the Guise of Art”. | Conference: Reconfiguring the Aesthetic, organised by the Dept of Philosophy, University of Malta, with a paper entitled “Nothing to See Here; Protest Under the Guise of Art”. | ||
August 2018 | '''August 2018''' | ||
Performance: L'utopie est morte, vive l'utopie! within Inside the Border, Mdina | Performance: L'utopie est morte, vive l'utopie! within Inside the Border, Mdina | ||
A performance as Lily Sapiano | A performance as Lily Sapiano | ||
21 – 22 July 2018 | |||
'''21 – 22 July 2018''' | |||
Solo Exhibition: No Place Like Home | Solo Exhibition: No Place Like Home | ||
A walking-art and documentation project looking at rapid over-development and speculative-building in urban areas, and their effect on local communities. | A walking-art and documentation project looking at rapid over-development and speculative-building in urban areas, and their effect on local communities. | ||
7 June 2018 | '''7 June 2018''' | ||
Intervention: Il-Kamra ta’ Barra | Intervention: Il-Kamra ta’ Barra | ||
A pop-up sitting room in the street, a reclamation of public land, and a social, public invitation, in collaboration with Parking Space Events | A pop-up sitting room in the street, a reclamation of public land, and a social, public invitation, in collaboration with Parking Space Events | ||
18 – 20 April 2018 | '''18 – 20 April 2018''' | ||
Conference: Cultures of Participation - Arts, Digital Media and Politics Conference in Aarhus, in April 2018 with paper entitled “The Risk of Tokenism in Participatory Art” | Conference: Cultures of Participation - Arts, Digital Media and Politics Conference in Aarhus, in April 2018 with paper entitled “The Risk of Tokenism in Participatory Art” | ||
March – December 2018 | |||
'''March – December 2018''' | |||
Co-coordination: Taħżiż, a Maltese-language creative writing programme for young people. | Co-coordination: Taħżiż, a Maltese-language creative writing programme for young people. | ||
25 March – 27 May 2018 | '''25 March – 27 May 2018''' | ||
Exhibition participation (as Lily Sapiano): Arċipelagu, 2018 | Exhibition participation (as Lily Sapiano): Arċipelagu, 2018 | ||
10 May 2018 | |||
'''10 May 2018''' | |||
Performance: in Subversive Semiotics – a Happening for a Billboard, by artist David Pisani, curated by Bettina Hutschek, Fragmenta Malta. | Performance: in Subversive Semiotics – a Happening for a Billboard, by artist David Pisani, curated by Bettina Hutschek, Fragmenta Malta. | ||
Since 2017 | '''Since 2017''' | ||
Outreach Manager at Spazju Kreattiv, Malta’s national centre for creativity in Valletta. | Outreach Manager at Spazju Kreattiv, Malta’s national centre for creativity in Valletta. | ||
2017 - 2018 | '''2017 - 2018''' | ||
Creator: RIP Dear Pigeon, a subversive participatory project. | Creator: RIP Dear Pigeon, a subversive participatory project. | ||
2012 - 2017 | '''2012 - 2017''' | ||
Programme Coordinator at Valletta 2018, European Capital of Culture, curating and programming the ECoC Cultural Programme. | Programme Coordinator at Valletta 2018, European Capital of Culture, curating and programming the ECoC Cultural Programme. | ||
2015 - 2016 | '''2015 - 2016''' | ||
Creator and Archivist of Project Disintegration | Creator and Archivist of Project Disintegration | ||
2017- | 2017- | ||
Peer Evaluation: Member of the Committee of Experts of the Roberto Cimetta Foundation. | Peer Evaluation: Member of the Committee of Experts of the Roberto Cimetta Foundation. | ||
| Line 114: | Line 110: | ||
2014 – 2016 | '''2014 – 2016''' | ||
University of Malta | University of Malta | ||
Master of Fine Arts in Digital Arts (Distinction) | Master of Fine Arts in Digital Arts (Distinction) | ||
1996 – 2000 | '''1996 – 2000''' | ||
National College of Art and Design, Ireland | National College of Art and Design, Ireland | ||
Bachelor of Design (Hons) in Craft Design | Bachelor of Design (Hons) in Craft Design | ||
== References == | |||
www.facebook.com/events/1231774546972258/ | |||
www.facebook.com/events/valletta-contemporary/land-politics/357252601792978/ | |||
www.projectdisintegration.org/what-could-be | |||
www.facebook.com/artpaper.press | |||
www.projectdisintegration.org/the-cement-bakery | |||
www.projectdisintegration.org/blog/europe-as-a-participatory-art-project | |||
www.um.edu.mt/events/etc2018 | |||
www.facebook.com/utopiannights | |||
www.projectdisintegration.org/no-place-like-home | |||
www.projectdisintegration.org/il-kamra-ta-barra | |||
http://conferences.au.dk/culturesofparticipation2018/ | |||
www.tahziz.wordpress.com | |||
www.raphaelvella.com/works | |||
https://fragmentamalta.com/2018/05/02/subversive-semiotics-a-happening-for-a-billboard/ | |||
www.projectdisintegration.org/rip-dear-pigeon | |||
www.projectdisintegration.org/about | |||
Revision as of 01:07, 3 February 2020
Margerita Pulè
Artist, researcher and curator, with a Masters in Fine Arts.
Conferences, Exhibitions and Works
April 2019 Group Exhibition: Creative Circuit Ep. 2, Valletta
March 2019
Group Exhibition: Land Politics, Valletta Contemporary, Valletta
2 December 2018
Intervention: What Could Be, Isouard Street, Sliema
2018- Editor: ArtPaper. Malta’s contemporary art and art sales publication.
16 – 25 November 2018 Exhibition: The Cement Bakery, within the Mahalla Festival
7 – 9 November 2018 Conference: 12th UNEeCC Conference, Culture: Inherited or Invented? organised by the University Network of European Capitals of Culture in November 2018, with paper entitled “Europe as a Participatory Art Project”.
1 – 2 November 2018 Conference: Reconfiguring the Aesthetic, organised by the Dept of Philosophy, University of Malta, with a paper entitled “Nothing to See Here; Protest Under the Guise of Art”.
August 2018 Performance: L'utopie est morte, vive l'utopie! within Inside the Border, Mdina A performance as Lily Sapiano
21 – 22 July 2018 Solo Exhibition: No Place Like Home A walking-art and documentation project looking at rapid over-development and speculative-building in urban areas, and their effect on local communities.
7 June 2018 Intervention: Il-Kamra ta’ Barra A pop-up sitting room in the street, a reclamation of public land, and a social, public invitation, in collaboration with Parking Space Events
18 – 20 April 2018 Conference: Cultures of Participation - Arts, Digital Media and Politics Conference in Aarhus, in April 2018 with paper entitled “The Risk of Tokenism in Participatory Art”
March – December 2018 Co-coordination: Taħżiż, a Maltese-language creative writing programme for young people.
25 March – 27 May 2018 Exhibition participation (as Lily Sapiano): Arċipelagu, 2018
10 May 2018 Performance: in Subversive Semiotics – a Happening for a Billboard, by artist David Pisani, curated by Bettina Hutschek, Fragmenta Malta.
Since 2017 Outreach Manager at Spazju Kreattiv, Malta’s national centre for creativity in Valletta.
2017 - 2018 Creator: RIP Dear Pigeon, a subversive participatory project.
2012 - 2017 Programme Coordinator at Valletta 2018, European Capital of Culture, curating and programming the ECoC Cultural Programme.
2015 - 2016 Creator and Archivist of Project Disintegration
2017-
Peer Evaluation: Member of the Committee of Experts of the Roberto Cimetta Foundation.
2017-
Peer evaluation: Evaluator on funding programmes managed by Arts Council Malta.
Education
2014 – 2016 University of Malta Master of Fine Arts in Digital Arts (Distinction)
1996 – 2000
National College of Art and Design, Ireland
Bachelor of Design (Hons) in Craft Design
References
www.facebook.com/events/1231774546972258/ www.facebook.com/events/valletta-contemporary/land-politics/357252601792978/ www.projectdisintegration.org/what-could-be www.facebook.com/artpaper.press www.projectdisintegration.org/the-cement-bakery www.projectdisintegration.org/blog/europe-as-a-participatory-art-project www.um.edu.mt/events/etc2018 www.facebook.com/utopiannights www.projectdisintegration.org/no-place-like-home www.projectdisintegration.org/il-kamra-ta-barra http://conferences.au.dk/culturesofparticipation2018/ www.tahziz.wordpress.com www.raphaelvella.com/works https://fragmentamalta.com/2018/05/02/subversive-semiotics-a-happening-for-a-billboard/ www.projectdisintegration.org/rip-dear-pigeon www.projectdisintegration.org/about