Difference between revisions of "Consume (exhibition)"

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'''Consume''' was an exhibition at [[Spazju Kreattiv]] by the artist [[Victor Agius]].
'''Consume''' was an exhibition at [[Spazju Kreattiv]] deals with some eternal and spiritual concepts, such as the ritual purification of fire and the ashes as the ultimate witnesses of something that is lost forever, at least in its physical dimension. The artist decided to exhibit rotten materials: close to the ashes. In fact, the spectator can find old objects, remains of the construction industry and objects consumed by men, nature and time.


The core of the project resides precisely in the dichotomy between the Eternal and Universal passage of time and the Human consumption of matter and earth, calculated in our earth time. Through this confrontation the artist is willing to suggest to us the ephemerality of today’s consumption of soil and goods, suggesting a new spiritual (and not necessarily religious) life behind things
It deals with some eternal and spiritual concepts, such as the ritual purification of fire and the ashes as the ultimate witnesses of something that is lost forever, at least in its physical dimension. The artist decided to exhibit rotten materials: close to the ashes. In fact, the spectator can find old objects, remains of the construction industry and objects consumed by men, nature and time.
 
The core of the project resides precisely in the dichotomy between the Eternal and Universal passage of time and the Human consumption of matter and earth, calculated in our earth time. Through this confrontation the artist is willing to suggest to us the ephemerality of today’s consumption of soil and goods, suggesting a new spiritual (and not necessarily religious) life behind things. <br clear=all>


==Exhibition Photos==


{{multiple image
{{multiple image
| footer  = Consume Artworks  
| footer  = Consume Artworks  
| width    = 200
| width    = 305
| align    = centre


| image1  = Consume-1.jpg
| image1  = Consume2.jpg
| alt1    =  
| alt1    =  


| image2  = Consume-2.jpg
| image2  = Consume1.jpg
| alt2    =  
| alt2    =  


| image3  = Consume-3.jpg
| image3  = Consume-2.jpg
| alt3    =  
| alt3    =  
}}
}}
 
<br clear=all>
 
 
 
 
 
 
 


==Exhibitions==
==Exhibitions==
* 6th May to 11th June 2017: [[Spazju Kreattiv]]  
* 6th May to 11th June 2017: [[Spazju Kreattiv]] <ref>http://www.kreattivita.org/event/consume/</ref>
 


[[File:Consume-poster.jpg|center|650px|caption]]
[[File:Consume-poster.jpg|center|650px|caption]]


==External links==
==External links==
*[http://viva.org.mt/mevents/consume/ VIVA 2017]
*[http://www.kreattivita.org/en/event/consume/ Exhibition Spazju Kreattiv]
*[http://www.independent.com.mt/articles/2017-06-05/newspaper-lifestyleculture/Consume-exhibition-at-Spazju-Kreattiv-6736175098 ''The Independent Malta Article]  
*[http://www.independent.com.mt/articles/2017-06-05/newspaper-lifestyleculture/Consume-exhibition-at-Spazju-Kreattiv-6736175098 ''The Independent Malta Article]  


{{DEFAULTSORT:Falzon, Lisa}}
=References=
{{reflist}}


[[Category:A-Z of Visual Arts in Malta]]
[[Category:A-Z of Visual Arts in Malta]]
[[Category:Born in 1983]]
[[Category:Visual Art Exhibitions in Malta]]
[[Category:Female Visual Artists from Malta]]
[[Category:Visual Artists]]

Latest revision as of 07:22, 22 January 2019

Consume was an exhibition at Spazju Kreattiv by the artist Victor Agius.

It deals with some eternal and spiritual concepts, such as the ritual purification of fire and the ashes as the ultimate witnesses of something that is lost forever, at least in its physical dimension. The artist decided to exhibit rotten materials: close to the ashes. In fact, the spectator can find old objects, remains of the construction industry and objects consumed by men, nature and time.

The core of the project resides precisely in the dichotomy between the Eternal and Universal passage of time and the Human consumption of matter and earth, calculated in our earth time. Through this confrontation the artist is willing to suggest to us the ephemerality of today’s consumption of soil and goods, suggesting a new spiritual (and not necessarily religious) life behind things.


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Exhibitions

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External links

References

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