X-Tend - Revision history

Noel D'Anastas: /* Albums */

2019-05-08T10:39:09Z

Albums

← Older revision		Revision as of 10:39, 8 May 2019
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	\|04\|\|Techno Alphabet (Kindergarten mix)\|\|Eric Ace\|\|Eric Ace		\|04\|\|Techno Alphabet (Kindergarten mix)\|\|Eric Ace\|\|Eric Ace
	\|-		\|-
	\|05\|\|Techno, Rave and Rock'n Roll \|\|Charles Dalli \|\|~~Noel D'Anastas~~		\|05\|\|Techno, Rave and Rock'n Roll \|\|Charles Dalli \|\|Charles Dalli
	\|-		\|-
	\|06\|\|I Believe In You\|\|Charles Dalli \|\|~~Charles Dalli~~		\|06\|\|I Believe In You\|\|Charles Dalli \|\|Noel D'Anastas
	\|-		\|-
	\|07\|\|I'll Always Love You\|\|Eric Ace \|\|Eric Ace		\|07\|\|I'll Always Love You\|\|Eric Ace \|\|Eric Ace

Axiaqm: /* Singles */

2019-01-04T12:53:45Z

Singles

← Older revision		Revision as of 12:53, 4 January 2019
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	\| align="center" style="background:#f0f0f0;"\|'''Composer'''		\| align="center" style="background:#f0f0f0;"\|'''Composer'''
	\| align="center" style="background:#f0f0f0;"\|'''Year'''		\| align="center" style="background:#f0f0f0;"\|'''Year'''
			\| align="center" style="background:#f0f0f0;"\|'''Video'''
	\|-		\|-
	\|01\|\|I Can Feel / Love Me\|\| \|\| \|\|(1985)		\|01\|\|I Can Feel / Love Me\|\| \|\| \|\|(1985)
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	\|-		\|-
	\|05\|\|Conclusion\|\| \|\| \|\|(2006)		\|05\|\|Conclusion\|\| \|\| \|\|(2006)
			\|-
			\|06\|\|Dan Il-Milied\|\|[[Charles Dalli]]\|\|Charles Dalli\|\|(2018)\|\|https://www.youtube.com/watch?v=R4i0V39w_-M
	\|-		\|-
	\|}		\|}

Axiaqm: /* Present Members */

2018-08-02T18:57:22Z

Present Members

← Older revision		Revision as of 18:57, 2 August 2018
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	==Present Members==		==Present Members==

	* [[Charlie Dalli]] - (Singer (~~Gutarrist~~)		* [[Charlie Dalli]] - (Singer (Gutarist)
	* [[Eric Calleja]] - (Vocal (~~Gutarrist~~)		* [[Eric Calleja]] - (Vocal (Gutarist)
	* [[Godwin Debono]] - (Bass)		* [[Godwin Debono]] - (Bass)
	* [[Danny Dalli]] - (Drums)		* [[Danny Dalli]] - (Drums)

Axiaqm: Arranged Page: X-Tend - Text

2018-07-29T20:24:56Z

Arranged Page: X-Tend - Text

← Older revision		Revision as of 20:24, 29 July 2018
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	Following the third album, [[Mark Attard]] left the band but a number of experienced session musicians featured in the band’s line up, contributing to a constant musical development, maturing and changing with the times they were living. This all leads to the 1988 release of '[[Sbieħ il-Milied]]' (Dawn of Christmas) Vol.1, an album which would become a top selling Maltese album, featuring the Christmas classic ''[[Tini Tini Żmien il–Milied]]''. Apart from the band, special praise goes to [[Tony Scott]] and [[Phyllisienne Brincat]] who worked really hard alongside Charlie Dalli on the musical and vocal arrangements.		Following the third album, [[Mark Attard]] left the band but a number of experienced session musicians featured in the band’s line up, contributing to a constant musical development, maturing and changing with the times they were living. This all leads to the 1988 release of '[[Sbieħ il-Milied]]' (Dawn of Christmas) Vol.1, an album which would become a top selling Maltese album, featuring the Christmas classic ''[[Tini Tini Żmien il–Milied]]''. Apart from the band, special praise goes to [[Tony Scott]] and [[Phyllisienne Brincat]] who worked really hard alongside Charlie Dalli on the musical and vocal arrangements.

	[[File:x-~~tend~~ x’mas(1991).jpg\|350px\|thumb\|right\|X-Tend and Phyillisienne Brincat Choir Sbieħ il-Milied recording at 1991]]		[[File:X-Tend x’mas(1991).jpg\|350px\|thumb\|right\|X-Tend and Phyillisienne Brincat Choir Sbieħ il-Milied recording at 1991]]
	Towards the end of the following year, keyboardist [[Noel D'Anastas]], joined the band, who were at the time working on another FIRST! The first ever Maltese band to record an album on CD. Released in August 1991, '[[Social Dancing]]' featured another face of X–Tend. Full with fresh ideas and hard-hitting lyrics accompanied by punchy sequencers, layered on modern rhythmic beats, 'Social Dancing' topped the Maltese charts for several weeks. 'Social Dancing' was followed immediately within months by arguably the most popular piece of music ever produced by X-Tend. '[[Sbieħ il- Milied]] which also include tracks from the previous Christmas album, was to be the first ever, Maltese speaking double CD in Maltese musical History.		Towards the end of the following year, keyboardist [[Noel D'Anastas]], joined the band, who were at the time working on another FIRST! The first ever Maltese band to record an album on CD. Released in August 1991, '[[Social Dancing]]' featured another face of X–Tend. Full with fresh ideas and hard-hitting lyrics accompanied by punchy sequencers, layered on modern rhythmic beats, 'Social Dancing' topped the Maltese charts for several weeks. 'Social Dancing' was followed immediately within months by arguably the most popular piece of music ever produced by X-Tend. '[[Sbieħ il- Milied]] which also include tracks from the previous Christmas album, was to be the first ever, Maltese speaking double CD in Maltese musical History.

Axiaqm: Arranged Page: X-Tend - Text

2018-07-29T20:23:09Z

Arranged Page: X-Tend - Text

← Older revision		Revision as of 20:23, 29 July 2018
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	In March 1985, they took part in the ''[[Festival Internazzjonali tal-Kanzunetta Maltija 1985]]'' for the first time, with the song ''[[Gmiel]]'' written by Vince Fabri. But although the band gave a very good show, they had very little control on the whole affair and came out a bit disappointed, but the outcome was very positive in terms of publicity.		In March 1985, they took part in the ''[[Festival Internazzjonali tal-Kanzunetta Maltija 1985]]'' for the first time, with the song ''[[Gmiel]]'' written by Vince Fabri. But although the band gave a very good show, they had very little control on the whole affair and came out a bit disappointed, but the outcome was very positive in terms of publicity.

			[[File:X-TEND (1987).jpg\|350px\|thumb\|left\| X-Tend]]
	In August 1985, X–Tend, believing they had what it takes to make it, released ''[[I can Feel]]'' coupled with ''[[Love me]]'' as their first single, at the then Malta Hilton International, a master stroke engineered by manager [[Edwin Zammit]], an astute perfectionist. The song was launched accompanied by a professional video, immediately hitting the Maltese Chart’s top spot. Mr. Zammit proved to be a staunch disciplinarian and a workaholic, never ceasing to inject fresh ideas, to enhance the band’s approach. He was the difference between a professional and an amateur organisation and helped X–Tend to progress in no small way.		In August 1985, X–Tend, believing they had what it takes to make it, released ''[[I can Feel]]'' coupled with ''[[Love me]]'' as their first single, at the then Malta Hilton International, a master stroke engineered by manager [[Edwin Zammit]], an astute perfectionist. The song was launched accompanied by a professional video, immediately hitting the Maltese Chart’s top spot. Mr. Zammit proved to be a staunch disciplinarian and a workaholic, never ceasing to inject fresh ideas, to enhance the band’s approach. He was the difference between a professional and an amateur organisation and helped X–Tend to progress in no small way.

	~~[[File:X-TEND (1987).jpg\|350px\|thumb\|left\| X-Tend]]~~
	This sudden success was followed by a number of stunning TV appearances, concerts and live performances all over the country and abroad and succeeded in projecting the band to another level of popularity. At this point a public relations office was inevitable as a source of communication with countless interested parties. This gave birth to the band’s fan club which was based in Valletta. However, a sad decision by Sandra, to call it a day, a few weeks prior to the album`s release, was received by mixed emotions, but injected more determination in the other members to strive on.		This sudden success was followed by a number of stunning TV appearances, concerts and live performances all over the country and abroad and succeeded in projecting the band to another level of popularity. At this point a public relations office was inevitable as a source of communication with countless interested parties. This gave birth to the band’s fan club which was based in Valletta. However, a sad decision by Sandra, to call it a day, a few weeks prior to the album`s release, was received by mixed emotions, but injected more determination in the other members to strive on.


	'''The dream was coming true…'''		'''The dream was coming true…'''

Axiaqm: Arranged Page: X-Tend - Text

2018-07-29T20:22:01Z

Arranged Page: X-Tend - Text

← Older revision		Revision as of 20:22, 29 July 2018
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	After living and sharing some turbulent teenage years and experiences in the same educational set-up, it was quite a surprise for the boys to discover they shared the same interests in the same genre of music. So it seemed logical that the next step would be to get together and rehearse some music written by Chris with a touch of production by Godwin. Chris encouraged his then girlfriend Sandra to play bass on a Yamaha duo-phonic synth, and a couple of days later guitarist [[John Attard]] was strumming his guitar with the trio, thus giving birth to the first line-up of what became known as X–Tend. However, after a short period of time, John was forced to quit, due to other working commitments. He was later replaced by the present guitarist [[Eric Ace]]. Chris, inspired by a catchy name on a local ironmongery store, named the group [[X–Tend]].		After living and sharing some turbulent teenage years and experiences in the same educational set-up, it was quite a surprise for the boys to discover they shared the same interests in the same genre of music. So it seemed logical that the next step would be to get together and rehearse some music written by Chris with a touch of production by Godwin. Chris encouraged his then girlfriend Sandra to play bass on a Yamaha duo-phonic synth, and a couple of days later guitarist [[John Attard]] was strumming his guitar with the trio, thus giving birth to the first line-up of what became known as X–Tend. However, after a short period of time, John was forced to quit, due to other working commitments. He was later replaced by the present guitarist [[Eric Ace]]. Chris, inspired by a catchy name on a local ironmongery store, named the group [[X–Tend]].

	[[File:X-TEND (1986).jpg\|~~250px~~\|thumb\|right\|X-Tend]]		[[File:X-TEND (1986).jpg\|350px\|thumb\|right\|X-Tend]]
	After weeks of rehearsing, the band decided to record some of the material they were playing with. Through their common friendship with a working colleague, [[Vince Fabri]] (of Xarabank fame,) X–Tend were introduced to [[Charlie Dalli]] who owned a home–based studio and who immediately pointed out that the band lacked real punch, when it came to laying down vocals. X–Tend took the hint and went ahead recording some tracks with Dalli as lead vocalist and with Eric as backing vocal, a combination that went on for years and is still going strong today. A mini gig at the [[Ħamrun Boys Scouts]] on the 26th of September 1984 was the first time X-Tend got together on stage.		After weeks of rehearsing, the band decided to record some of the material they were playing with. Through their common friendship with a working colleague, [[Vince Fabri]] (of Xarabank fame,) X–Tend were introduced to [[Charlie Dalli]] who owned a home–based studio and who immediately pointed out that the band lacked real punch, when it came to laying down vocals. X–Tend took the hint and went ahead recording some tracks with Dalli as lead vocalist and with Eric as backing vocal, a combination that went on for years and is still going strong today. A mini gig at the [[Ħamrun Boys Scouts]] on the 26th of September 1984 was the first time X-Tend got together on stage.

Line 21:		Line 21:
	In August 1985, X–Tend, believing they had what it takes to make it, released ''[[I can Feel]]'' coupled with ''[[Love me]]'' as their first single, at the then Malta Hilton International, a master stroke engineered by manager [[Edwin Zammit]], an astute perfectionist. The song was launched accompanied by a professional video, immediately hitting the Maltese Chart’s top spot. Mr. Zammit proved to be a staunch disciplinarian and a workaholic, never ceasing to inject fresh ideas, to enhance the band’s approach. He was the difference between a professional and an amateur organisation and helped X–Tend to progress in no small way.		In August 1985, X–Tend, believing they had what it takes to make it, released ''[[I can Feel]]'' coupled with ''[[Love me]]'' as their first single, at the then Malta Hilton International, a master stroke engineered by manager [[Edwin Zammit]], an astute perfectionist. The song was launched accompanied by a professional video, immediately hitting the Maltese Chart’s top spot. Mr. Zammit proved to be a staunch disciplinarian and a workaholic, never ceasing to inject fresh ideas, to enhance the band’s approach. He was the difference between a professional and an amateur organisation and helped X–Tend to progress in no small way.

	[[File:X-TEND (1987).jpg\|~~250px~~\|thumb\|left\| X-Tend]]		[[File:X-TEND (1987).jpg\|350px\|thumb\|left\| X-Tend]]
	This sudden success was followed by a number of stunning TV appearances, concerts and live performances all over the country and abroad and succeeded in projecting the band to another level of popularity. At this point a public relations office was inevitable as a source of communication with countless interested parties. This gave birth to the band’s fan club which was based in Valletta. However, a sad decision by Sandra, to call it a day, a few weeks prior to the album`s release, was received by mixed emotions, but injected more determination in the other members to strive on.		This sudden success was followed by a number of stunning TV appearances, concerts and live performances all over the country and abroad and succeeded in projecting the band to another level of popularity. At this point a public relations office was inevitable as a source of communication with countless interested parties. This gave birth to the band’s fan club which was based in Valletta. However, a sad decision by Sandra, to call it a day, a few weeks prior to the album`s release, was received by mixed emotions, but injected more determination in the other members to strive on.

Line 41:		Line 41:
	Following the third album, [[Mark Attard]] left the band but a number of experienced session musicians featured in the band’s line up, contributing to a constant musical development, maturing and changing with the times they were living. This all leads to the 1988 release of '[[Sbieħ il-Milied]]' (Dawn of Christmas) Vol.1, an album which would become a top selling Maltese album, featuring the Christmas classic ''[[Tini Tini Żmien il–Milied]]''. Apart from the band, special praise goes to [[Tony Scott]] and [[Phyllisienne Brincat]] who worked really hard alongside Charlie Dalli on the musical and vocal arrangements.		Following the third album, [[Mark Attard]] left the band but a number of experienced session musicians featured in the band’s line up, contributing to a constant musical development, maturing and changing with the times they were living. This all leads to the 1988 release of '[[Sbieħ il-Milied]]' (Dawn of Christmas) Vol.1, an album which would become a top selling Maltese album, featuring the Christmas classic ''[[Tini Tini Żmien il–Milied]]''. Apart from the band, special praise goes to [[Tony Scott]] and [[Phyllisienne Brincat]] who worked really hard alongside Charlie Dalli on the musical and vocal arrangements.

	[[File:x-tend x’mas(1991).jpg\|~~250px~~\|thumb\|right\|X-Tend and Phyillisienne Brincat Choir Sbieħ il-Milied recording at 1991]]		[[File:x-tend x’mas(1991).jpg\|350px\|thumb\|right\|X-Tend and Phyillisienne Brincat Choir Sbieħ il-Milied recording at 1991]]
	Towards the end of the following year, keyboardist [[Noel D'Anastas]], joined the band, who were at the time working on another FIRST! The first ever Maltese band to record an album on CD. Released in August 1991, '[[Social Dancing]]' featured another face of X–Tend. Full with fresh ideas and hard-hitting lyrics accompanied by punchy sequencers, layered on modern rhythmic beats, 'Social Dancing' topped the Maltese charts for several weeks. 'Social Dancing' was followed immediately within months by arguably the most popular piece of music ever produced by X-Tend. '[[Sbieħ il- Milied]] which also include tracks from the previous Christmas album, was to be the first ever, Maltese speaking double CD in Maltese musical History.		Towards the end of the following year, keyboardist [[Noel D'Anastas]], joined the band, who were at the time working on another FIRST! The first ever Maltese band to record an album on CD. Released in August 1991, '[[Social Dancing]]' featured another face of X–Tend. Full with fresh ideas and hard-hitting lyrics accompanied by punchy sequencers, layered on modern rhythmic beats, 'Social Dancing' topped the Maltese charts for several weeks. 'Social Dancing' was followed immediately within months by arguably the most popular piece of music ever produced by X-Tend. '[[Sbieħ il- Milied]] which also include tracks from the previous Christmas album, was to be the first ever, Maltese speaking double CD in Maltese musical History.

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	Eventually, the boys realised their dream, going home with the Best Album Award, a grand feat, considering that 1996 and 1997 were exceptionally prolific years for Maltese musicians, and X-Tend were in the company of the elite talent on the islands.		Eventually, the boys realised their dream, going home with the Best Album Award, a grand feat, considering that 1996 and 1997 were exceptionally prolific years for Maltese musicians, and X-Tend were in the company of the elite talent on the islands.

			[[File:X-TEND (2018).jpg\|350px\|thumb\|left\| X-Tend 2018]]
	1998 was crowned by another “I did it first, sort of thing“ when X-Tend released ''[[Big Boys Don’t Cry]]'' on an interactive C.D. as a double A side single, accompanied by a video of the song, directed by the band and produced by [[Chris Cassar]], a photo gallery, and a host of other information about the band. The effort was a success and praised by music critics for the professional innovation exhibited. X-Tend managed to crown an old vision, sharing their work and emotions with everybody.		1998 was crowned by another “I did it first, sort of thing“ when X-Tend released ''[[Big Boys Don’t Cry]]'' on an interactive C.D. as a double A side single, accompanied by a video of the song, directed by the band and produced by [[Chris Cassar]], a photo gallery, and a host of other information about the band. The effort was a success and praised by music critics for the professional innovation exhibited. X-Tend managed to crown an old vision, sharing their work and emotions with everybody.

	~~[[File:X-TEND (2018).jpg\|250px\|thumb\|left\| X-Tend 2018]]~~
	December 1999 saw the release of a much awaited compilation C.D. album '[[The Collection 1984–1999]]'. The song ''[[Millennium Countdown]]'' was released from the same compilation. Similarly to the songs ''[[Waiting for You]]'' and ''[[Mill-Garage]]'', ''Millennium Countdown'' was never released on an X-Tend album before. 'The Collection' was the band`s biography in itself. It takes you on a rollercoaster ride through the amazing years of X-Tend`s musical career.		December 1999 saw the release of a much awaited compilation C.D. album '[[The Collection 1984–1999]]'. The song ''[[Millennium Countdown]]'' was released from the same compilation. Similarly to the songs ''[[Waiting for You]]'' and ''[[Mill-Garage]]'', ''Millennium Countdown'' was never released on an X-Tend album before. 'The Collection' was the band`s biography in itself. It takes you on a rollercoaster ride through the amazing years of X-Tend`s musical career.

	On 2 September, 2017 X-Tend lead by Charlie Dalli taken part in [[L-Għanja tal-Poplu 2017]] with the song ‘B’Kelma’ lyrics and music by Charles Dalli.		On 2 September, 2017 X-Tend lead by Charlie Dalli taken part in [[L-Għanja tal-Poplu 2017]] with the song ‘B’Kelma’ lyrics and music by Charles Dalli.


	==Present Members==		==Present Members==

Axiaqm: Arranged Page: X-Tend - Photos

2018-07-29T20:15:59Z

Arranged Page: X-Tend - Photos

← Older revision		Revision as of 20:15, 29 July 2018
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	After a number of small gigs within weeks of their first show, X–Tend were invited to appear as guests in a very popular T.V. programme ''[[Arzella]]'', hosted by [[Ray Azzopardi]] and immediately struck a chord with the audience with their fresh appearance, original approach and the new sound of their repertoire.		After a number of small gigs within weeks of their first show, X–Tend were invited to appear as guests in a very popular T.V. programme ''[[Arzella]]'', hosted by [[Ray Azzopardi]] and immediately struck a chord with the audience with their fresh appearance, original approach and the new sound of their repertoire.

	~~[[File:X-TEND (1987).jpg\|250px\|thumb\|left\| X-Tend]]~~
	Barely three months after their nationwide debut appearance on T.V., the band’s determination to make it big, landed them in San Remo, Italy. But not before going into a professional studio to properly record a couple of songs. [[Joe Baldacchino]] of Smash Studio and maestro [[Paul Abela]] along with the band took care of the production. After literally conquering the regional eliminations in Sicily, X-Tend qualified to participate, together with other Italian and international competitors, in ''[[Passaporto per San Remo]]'' which was being staged at the famous ''[[Ariston Theatre]]'' in mid-December‘84.		Barely three months after their nationwide debut appearance on T.V., the band’s determination to make it big, landed them in San Remo, Italy. But not before going into a professional studio to properly record a couple of songs. [[Joe Baldacchino]] of Smash Studio and maestro [[Paul Abela]] along with the band took care of the production. After literally conquering the regional eliminations in Sicily, X-Tend qualified to participate, together with other Italian and international competitors, in ''[[Passaporto per San Remo]]'' which was being staged at the famous ''[[Ariston Theatre]]'' in mid-December‘84.

Line 22:		Line 21:
	In August 1985, X–Tend, believing they had what it takes to make it, released ''[[I can Feel]]'' coupled with ''[[Love me]]'' as their first single, at the then Malta Hilton International, a master stroke engineered by manager [[Edwin Zammit]], an astute perfectionist. The song was launched accompanied by a professional video, immediately hitting the Maltese Chart’s top spot. Mr. Zammit proved to be a staunch disciplinarian and a workaholic, never ceasing to inject fresh ideas, to enhance the band’s approach. He was the difference between a professional and an amateur organisation and helped X–Tend to progress in no small way.		In August 1985, X–Tend, believing they had what it takes to make it, released ''[[I can Feel]]'' coupled with ''[[Love me]]'' as their first single, at the then Malta Hilton International, a master stroke engineered by manager [[Edwin Zammit]], an astute perfectionist. The song was launched accompanied by a professional video, immediately hitting the Maltese Chart’s top spot. Mr. Zammit proved to be a staunch disciplinarian and a workaholic, never ceasing to inject fresh ideas, to enhance the band’s approach. He was the difference between a professional and an amateur organisation and helped X–Tend to progress in no small way.

			[[File:X-TEND (1987).jpg\|250px\|thumb\|left\| X-Tend]]
	This sudden success was followed by a number of stunning TV appearances, concerts and live performances all over the country and abroad and succeeded in projecting the band to another level of popularity. At this point a public relations office was inevitable as a source of communication with countless interested parties. This gave birth to the band’s fan club which was based in Valletta. However, a sad decision by Sandra, to call it a day, a few weeks prior to the album`s release, was received by mixed emotions, but injected more determination in the other members to strive on.		This sudden success was followed by a number of stunning TV appearances, concerts and live performances all over the country and abroad and succeeded in projecting the band to another level of popularity. At this point a public relations office was inevitable as a source of communication with countless interested parties. This gave birth to the band’s fan club which was based in Valletta. However, a sad decision by Sandra, to call it a day, a few weeks prior to the album`s release, was received by mixed emotions, but injected more determination in the other members to strive on.

Axiaqm: Arranged Page: X-Tend - Photos

2018-07-29T20:14:22Z

Arranged Page: X-Tend - Photos

← Older revision		Revision as of 20:14, 29 July 2018
Line 8:		Line 8:
	After living and sharing some turbulent teenage years and experiences in the same educational set-up, it was quite a surprise for the boys to discover they shared the same interests in the same genre of music. So it seemed logical that the next step would be to get together and rehearse some music written by Chris with a touch of production by Godwin. Chris encouraged his then girlfriend Sandra to play bass on a Yamaha duo-phonic synth, and a couple of days later guitarist [[John Attard]] was strumming his guitar with the trio, thus giving birth to the first line-up of what became known as X–Tend. However, after a short period of time, John was forced to quit, due to other working commitments. He was later replaced by the present guitarist [[Eric Ace]]. Chris, inspired by a catchy name on a local ironmongery store, named the group [[X–Tend]].		After living and sharing some turbulent teenage years and experiences in the same educational set-up, it was quite a surprise for the boys to discover they shared the same interests in the same genre of music. So it seemed logical that the next step would be to get together and rehearse some music written by Chris with a touch of production by Godwin. Chris encouraged his then girlfriend Sandra to play bass on a Yamaha duo-phonic synth, and a couple of days later guitarist [[John Attard]] was strumming his guitar with the trio, thus giving birth to the first line-up of what became known as X–Tend. However, after a short period of time, John was forced to quit, due to other working commitments. He was later replaced by the present guitarist [[Eric Ace]]. Chris, inspired by a catchy name on a local ironmongery store, named the group [[X–Tend]].

			[[File:X-TEND (1986).jpg\|250px\|thumb\|right\|X-Tend]]
	After weeks of rehearsing, the band decided to record some of the material they were playing with. Through their common friendship with a working colleague, [[Vince Fabri]] (of Xarabank fame,) X–Tend were introduced to [[Charlie Dalli]] who owned a home–based studio and who immediately pointed out that the band lacked real punch, when it came to laying down vocals. X–Tend took the hint and went ahead recording some tracks with Dalli as lead vocalist and with Eric as backing vocal, a combination that went on for years and is still going strong today. A mini gig at the [[Ħamrun Boys Scouts]] on the 26th of September 1984 was the first time X-Tend got together on stage.		After weeks of rehearsing, the band decided to record some of the material they were playing with. Through their common friendship with a working colleague, [[Vince Fabri]] (of Xarabank fame,) X–Tend were introduced to [[Charlie Dalli]] who owned a home–based studio and who immediately pointed out that the band lacked real punch, when it came to laying down vocals. X–Tend took the hint and went ahead recording some tracks with Dalli as lead vocalist and with Eric as backing vocal, a combination that went on for years and is still going strong today. A mini gig at the [[Ħamrun Boys Scouts]] on the 26th of September 1984 was the first time X-Tend got together on stage.

	After a number of small gigs within weeks of their first show, X–Tend were invited to appear as guests in a very popular T.V. programme ''[[Arzella]]'', hosted by [[Ray Azzopardi]] and immediately struck a chord with the audience with their fresh appearance, original approach and the new sound of their repertoire.		After a number of small gigs within weeks of their first show, X–Tend were invited to appear as guests in a very popular T.V. programme ''[[Arzella]]'', hosted by [[Ray Azzopardi]] and immediately struck a chord with the audience with their fresh appearance, original approach and the new sound of their repertoire.

			[[File:X-TEND (1987).jpg\|250px\|thumb\|left\| X-Tend]]
	Barely three months after their nationwide debut appearance on T.V., the band’s determination to make it big, landed them in San Remo, Italy. But not before going into a professional studio to properly record a couple of songs. [[Joe Baldacchino]] of Smash Studio and maestro [[Paul Abela]] along with the band took care of the production. After literally conquering the regional eliminations in Sicily, X-Tend qualified to participate, together with other Italian and international competitors, in ''[[Passaporto per San Remo]]'' which was being staged at the famous ''[[Ariston Theatre]]'' in mid-December‘84.		Barely three months after their nationwide debut appearance on T.V., the band’s determination to make it big, landed them in San Remo, Italy. But not before going into a professional studio to properly record a couple of songs. [[Joe Baldacchino]] of Smash Studio and maestro [[Paul Abela]] along with the band took care of the production. After literally conquering the regional eliminations in Sicily, X-Tend qualified to participate, together with other Italian and international competitors, in ''[[Passaporto per San Remo]]'' which was being staged at the famous ''[[Ariston Theatre]]'' in mid-December‘84.

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	Following the third album, [[Mark Attard]] left the band but a number of experienced session musicians featured in the band’s line up, contributing to a constant musical development, maturing and changing with the times they were living. This all leads to the 1988 release of '[[Sbieħ il-Milied]]' (Dawn of Christmas) Vol.1, an album which would become a top selling Maltese album, featuring the Christmas classic ''[[Tini Tini Żmien il–Milied]]''. Apart from the band, special praise goes to [[Tony Scott]] and [[Phyllisienne Brincat]] who worked really hard alongside Charlie Dalli on the musical and vocal arrangements.		Following the third album, [[Mark Attard]] left the band but a number of experienced session musicians featured in the band’s line up, contributing to a constant musical development, maturing and changing with the times they were living. This all leads to the 1988 release of '[[Sbieħ il-Milied]]' (Dawn of Christmas) Vol.1, an album which would become a top selling Maltese album, featuring the Christmas classic ''[[Tini Tini Żmien il–Milied]]''. Apart from the band, special praise goes to [[Tony Scott]] and [[Phyllisienne Brincat]] who worked really hard alongside Charlie Dalli on the musical and vocal arrangements.

			[[File:x-tend x’mas(1991).jpg\|250px\|thumb\|right\|X-Tend and Phyillisienne Brincat Choir Sbieħ il-Milied recording at 1991]]
	Towards the end of the following year, keyboardist [[Noel D'Anastas]], joined the band, who were at the time working on another FIRST! The first ever Maltese band to record an album on CD. Released in August 1991, '[[Social Dancing]]' featured another face of X–Tend. Full with fresh ideas and hard-hitting lyrics accompanied by punchy sequencers, layered on modern rhythmic beats, 'Social Dancing' topped the Maltese charts for several weeks. 'Social Dancing' was followed immediately within months by arguably the most popular piece of music ever produced by X-Tend. '[[Sbieħ il- Milied]] which also include tracks from the previous Christmas album, was to be the first ever, Maltese speaking double CD in Maltese musical History.		Towards the end of the following year, keyboardist [[Noel D'Anastas]], joined the band, who were at the time working on another FIRST! The first ever Maltese band to record an album on CD. Released in August 1991, '[[Social Dancing]]' featured another face of X–Tend. Full with fresh ideas and hard-hitting lyrics accompanied by punchy sequencers, layered on modern rhythmic beats, 'Social Dancing' topped the Maltese charts for several weeks. 'Social Dancing' was followed immediately within months by arguably the most popular piece of music ever produced by X-Tend. '[[Sbieħ il- Milied]] which also include tracks from the previous Christmas album, was to be the first ever, Maltese speaking double CD in Maltese musical History.

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	1998 was crowned by another “I did it first, sort of thing“ when X-Tend released ''[[Big Boys Don’t Cry]]'' on an interactive C.D. as a double A side single, accompanied by a video of the song, directed by the band and produced by [[Chris Cassar]], a photo gallery, and a host of other information about the band. The effort was a success and praised by music critics for the professional innovation exhibited. X-Tend managed to crown an old vision, sharing their work and emotions with everybody.		1998 was crowned by another “I did it first, sort of thing“ when X-Tend released ''[[Big Boys Don’t Cry]]'' on an interactive C.D. as a double A side single, accompanied by a video of the song, directed by the band and produced by [[Chris Cassar]], a photo gallery, and a host of other information about the band. The effort was a success and praised by music critics for the professional innovation exhibited. X-Tend managed to crown an old vision, sharing their work and emotions with everybody.

			[[File:X-TEND (2018).jpg\|250px\|thumb\|left\| X-Tend 2018]]
	December 1999 saw the release of a much awaited compilation C.D. album '[[The Collection 1984–1999]]'. The song ''[[Millennium Countdown]]'' was released from the same compilation. Similarly to the songs ''[[Waiting for You]]'' and ''[[Mill-Garage]]'', ''Millennium Countdown'' was never released on an X-Tend album before. 'The Collection' was the band`s biography in itself. It takes you on a rollercoaster ride through the amazing years of X-Tend`s musical career.		December 1999 saw the release of a much awaited compilation C.D. album '[[The Collection 1984–1999]]'. The song ''[[Millennium Countdown]]'' was released from the same compilation. Similarly to the songs ''[[Waiting for You]]'' and ''[[Mill-Garage]]'', ''Millennium Countdown'' was never released on an X-Tend album before. 'The Collection' was the band`s biography in itself. It takes you on a rollercoaster ride through the amazing years of X-Tend`s musical career.

Axiaqm: /* Present Members */

2018-07-25T20:12:45Z

Present Members

← Older revision		Revision as of 20:12, 25 July 2018
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	* [[Eric Calleja]] - (Vocal (Gutarrist)		* [[Eric Calleja]] - (Vocal (Gutarrist)
	* [[Godwin Debono]] - (Bass)		* [[Godwin Debono]] - (Bass)
	* [[~~Daniel~~ Dalli]] - (Drums)		* [[Danny Dalli]] - (Drums)
	* [[Lorna Fiorini]] - (Singer)		* [[Lorna Fiorini]] - (Singer)
	* [[Robert G]] Galea - (keyboards).		* [[Robert G]] Galea - (keyboards).

Axiaqm: /* Albums */

2018-07-25T20:12:09Z

Albums

← Older revision		Revision as of 20:12, 25 July 2018
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	\| align="center" style="background:#f0f0f0;"\|'''Composer'''		\| align="center" style="background:#f0f0f0;"\|'''Composer'''
	\|-		\|-
	\|01\|\|Let's Have A Party\|\| \|\|		\|01\|\|Let's Have A Party\|\|Charles Dalli\|\|Charles Dalli
	\|-		\|-
	\|02\|\|Welcome To The Party\|\| \|\|		\|02\|\|Welcome To The Party\|\|Charles Dalli\|\|Charles Dalli
	\|-		\|-
	\|03\|\|Praise The Lord Jesus\|\| \|\|		\|03\|\|Praise The Lord Jesus\|\|Charles Dalli \|\|Charles Dalli
	\|-		\|-
	\|04\|\|Techno Alphabet (Kindergarten mix)\|\| \|\|		\|04\|\|Techno Alphabet (Kindergarten mix)\|\|Eric Ace\|\|Eric Ace
	\|-		\|-
	\|05\|\|Techno, Rave and Rock'n Roll \|\| \|\|		\|05\|\|Techno, Rave and Rock'n Roll \|\|Charles Dalli \|\|Noel D'Anastas
	\|-		\|-
	\|06\|\|I Believe In You\|\| \|\|		\|06\|\|I Believe In You\|\|Charles Dalli \|\|Charles Dalli
	\|-		\|-
	\|07\|\|I'll Always Love You\|\| \|\|		\|07\|\|I'll Always Love You\|\|Eric Ace \|\|Eric Ace
	\|-		\|-
	\|08\|\|Plastic Planet\|\| \|\|		\|08\|\|Plastic Planet\|\|Mario Fenech \|\|Charles Dalli
	\|-		\|-
	\|09\|\|Helpless Tears\|\| \|\|		\|09\|\|Helpless Tears\|\|Eric Ace \|\|Noel D'Anastas
	\|-		\|-
	\|10\|\|Street Party (Reggae mix)\|\| \|\|		\|10\|\|Street Party (Reggae mix)\|\|Charles Dalli \|\|Charles Dalli
	\|-		\|-
	\|11\|\|Arabian Nights (Aladin mix)\|\| \|\|		\|11\|\|Arabian Nights (Aladin mix)\|\|Charles Dalli \|\|Charles Dalli
	\|-		\|-
	\|12\|\|Rave It Up\|\| \|\|		\|12\|\|Rave It Up\|\|Charles Dalli \|\|Charles Dalli
	\|-		\|-
	\|13\|\|Techno City Ball\|\| \|\|		\|13\|\|Techno City Ball\|\|Charles Dalli \|\|Charles Dalli
	\|-		\|-
	\|14\|\|Lingering Shadows of Love\|\| \|\|		\|14\|\|Lingering Shadows of Love\|\|Thema Zarb\|\|Thema Zarb
	\|-		\|-
	\|15\|\|The Party Is Over (Welcome to the Party - Remix)\|\| \|\|		\|15\|\|The Party Is Over (Welcome to the Party - Remix)\|\|Charles Dalli \|\|Charles Dalli
	\|-		\|-
	\|}		\|}